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ประเภทวัสดุ
หนังสือ
| ชื่อเรื่อง | Ted Greene -- Jazz Guitar Single Note Soloing, Vol 1/ by Dale Zdenek |
| Dewey Call # | 781.65 Zd-T 1978 |
| ผู้แต่ง | Zdenek, Dale |
| หัวเรื่อง | JAZZ MUSIC |
| | JAZZ MUSICIANS |
| ISBN | 9780769209722 |
| พิมพลักษณ์ | United States : Alfred, 1978 |
| ชื่อเรื่อง | Ted Greene -- Jazz Guitar Single Note Soloing, Vol 1/ by Dale Zdenek |
| Dewey Call # | 781.65 Zd-T 1978 |
| ผู้แต่ง | Zdenek, Dale |
| ISBN | 9780769209722 |
| พิมพลักษณ์ | United States : Alfred, 1978 |
| เนื้อหา | Volume I Fundmantals: The Major Sclae; Intervals; Chords; and Chord Tones-- Soloing over major type chords: The Major Scale; The Lydian Scale; How to Memorize Runs; Arpeggios; Position Playing and Left-Hand Fingering; Major Chord Forms; Major Chord Runs; Melody Notes; Fear Vs, Ear; Group-2 Major Chords and Soloing Group-3 Major Chords and Soloing-- Slurring and Decoration Part 1: Half -step Slides; Scale-Tone Slides; Pull-off; Hammer-ons; Trills-- Tempo: 8th Notes, Triplets, 16th Notes and Double-timing-- Chord Forms; Domonant 7th Type Arpeggios and Runs Melody Notes; Combining Scales in One Position-- The minor 7th Scale: Minor 7th Chord Types; Chord Forms; Minor 7th Type Arpeggios and Runs; Melody Notes; Combining Scales in One Position-- The Overtone dominant scale: Nature's Overtone Series; Group-3 Dominants; Chord Forms; Overtone Dominant Arpeggios and Runs; Combining Scales in One Position-- Altered Dominant scales (type 1, 2, and 3) Altered Dominant Chord Types; Chord Forms; Altered Dominant Arpeggios and Runs-- Volume II Playing through changes: Condensed Arpggios; More on Soloing in One Position; 4Note Arpeggio Fragments; Progressions for Soloing Over-- Chromatic Tones: Lower Neighbor Tones; Upper Neighbor Tones; Chromatic Passing Tones-- Soloing over fast changes: Focusing on higher chord tones; Essential Notes; Sparse Playing-- Slurring and decoration Part 2: Consecutive or Combined Pull-offs, Hammer-ons and Slides; Grace Notes-- Rhythm and phrasing: Accents; Syncopation; Polyrhythm; Rhythmic Displacement; Legato and Staccato; Ghost Notes; Vibrato; Delayed Notes and Playing Behind the Beat-- Melodic patterns: In Position; "Lengthwise" and Shifting Positions; Exercises-- (More) on shifting and connecting positions-- complete solos and developing a melody line-- The minor 7b5 sounds: Four common Scales; Arpggios, Chord Forms and Runs-- The melopic minor scale: Chord Forms; Arpeggios and Runs; The Diminished Scale for m6 and m6/9 chords-- The harmonic minor scale; Arpeggios; chord forms; a Minor key Solo The diminished 7th chord: chord Forms, Arpeggios, Runs; The Diminished Scale and Runs; Modern Diminished 7th Type Arpeggios-- Basing your Solo on the given melody: Decorating or Varying a Given Melody; Jazz Treatments of a Plain Melody-- The diatonic view, tonal centers and tonal scales: Diatonic 7th chords; Roman Numeral Symbols; Diatonic Playing and Thinking; Keys or Tonal Centers; -- Special Treatment of iii7 and vi7 (Phrygian and Aeolian scales); Other Diatonic Chords; Diatonic chords of other scales; Diatonic Progressions; tonal scales; Understanding Chord Progressions; chromatic Progressions-- Altered dominant scales- Part: Typs 4 (Half- Whole Scale); Arpeggios and Choed forms; Type 5; 7#9 Arpeggios and Chord Forms; The Whole Tone Scale; Chord Forms and Arpeggios-- Parting comments-- V2: Volume II Playing through changes: Condensed Arpeggios; More on Soloing in One Position; 4 Note Arpeggio Fragments; Progressions for Soloing Over-- Chromatic tones: Lower Neighbor Tones; Upper Neighbor Tones; Chromatic Passing Tones-- Soloing over fast changes: Focusing on Higher chord Tones; Essential Notes; Sparse Playing-- Slurring and decoration-Part 2: Consecutive or Combined Pull-off; Hammer-ons and Slides; Grace Notes-- Rhythm and phrasing: Accents; Syncopation; Polyrhythm; Rhythmic Displacement; Legato and Staccato; Ghost Notes; Vibrato; Delayed Notes and Playing Behind the Beat; Syncopation Exercises-- Melodic Patterns: In Position; "Lengthwise" and Shifting Positions; Exercises-- (More) on shifting and connecting positions-- Complete Solos and developing a melody line-- The minor 7b5 sounds: a Common Scales; Arpeggios, Chord Forms and Runs-- The Melodic minor scale: Chord Forms; Arpeggios and Runs; The minor 7th scale for m6 and m6/9 chords-- The harmonic minor scale: Arppggios; chord forms; a Minor key solo-- The diminished 7th chord: chord forms, Arpeggios, Runs; The Diminished Scale and Runs; Modern Diminished 7th type Arpeggios-- Basing your solo on the given melody: Decorating or Varying a Given Melody; Jazz Treatments of a Plain Melody-- The diatonic view, tonal centers and tonal scales: diatonic 7th chords; Roman Numeral Symbols; Diatonic Playing and Thinking; Keys or Tonal Centers; Special Treatment of iii7 and vi7 (Phrygian and Aeolian Scales); Other Diatonic Chords; Diatonic Chords of Other Scales; Diatonic Progressions; Tonal Scales; Understanding Chord Progressions; Chromatic Progressions-- Altered Dominant scales- Part 2: Type 4 (Half-Whole Scale); Arpeggios and Chord Forms; Type 5; 7#9 Arpeggios and chord Forms; the Whole Tone Scale; Chord Forms and Arpeggios-- Parting comments |
| หัวเรื่อง | JAZZ MUSIC |
| | JAZZ MUSICIANS |
| ลักษณะทางกายภาพ | 134 p. :ill |
| LDR | | 05674nam a2200193 4500 |
| 005 | | 20141002145852.0 |
| 008 | | 000911s th tha d |
| 020 | __ | ‡a9780769209722‡c1,290 |
| 040 | __ | ‡aSongkhla Rajabhat University |
| 082 | 04 | ‡a781.65‡bZd-T 1978 |
| 100 | 0_ | ‡aZdenek, Dale |
| 245 | 10 | ‡aTed Greene -- Jazz Guitar Single Note Soloing, Vol 1/‡cby Dale Zdenek |
| 260 | __ | ‡aUnited States :‡bAlfred,‡c1978 |
| 300 | __ | ‡a134 p. :‡bill |
| 505 | __ | ‡aVolume I Fundmantals: The Major Sclae; Intervals; Chords; and Chord Tones-- Soloing over major type chords: The Major Scale; The Lydian Scale; How to Memorize Runs; Arpeggios; Position Playing and Left-Hand Fingering; Major Chord Forms; Major Chord Runs; Melody Notes; Fear Vs, Ear; Group-2 Major Chords and Soloing Group-3 Major Chords and Soloing-- Slurring and Decoration Part 1: Half -step Slides; Scale-Tone Slides; Pull-off; Hammer-ons; Trills-- Tempo: 8th Notes, Triplets, 16th Notes and Double-timing-- Chord Forms; Domonant 7th Type Arpeggios and Runs Melody Notes; Combining Scales in One Position-- The minor 7th Scale: Minor 7th Chord Types; Chord Forms; Minor 7th Type Arpeggios and Runs; Melody Notes; Combining Scales in One Position-- The Overtone dominant scale: Nature's Overtone Series; Group-3 Dominants; Chord Forms; Overtone Dominant Arpeggios and Runs; Combining Scales in One Position-- Altered Dominant scales (type 1, 2, and 3) Altered Dominant Chord Types; Chord Forms; Altered Dominant Arpeggios and Runs-- Volume II Playing through changes: Condensed Arpggios; More on Soloing in One Position; 4Note Arpeggio Fragments; Progressions for Soloing Over-- Chromatic Tones: Lower Neighbor Tones; Upper Neighbor Tones; Chromatic Passing Tones-- Soloing over fast changes: Focusing on higher chord tones; Essential Notes; Sparse Playing-- Slurring and decoration Part 2: Consecutive or Combined Pull-offs, Hammer-ons and Slides; Grace Notes-- Rhythm and phrasing: Accents; Syncopation; Polyrhythm; Rhythmic Displacement; Legato and Staccato; Ghost Notes; Vibrato; Delayed Notes and Playing Behind the Beat-- Melodic patterns: In Position; "Lengthwise" and Shifting Positions; Exercises-- (More) on shifting and connecting positions-- complete solos and developing a melody line-- The minor 7b5 sounds: Four common Scales; Arpggios, Chord Forms and Runs-- The melopic minor scale: Chord Forms; Arpeggios and Runs; The Diminished Scale for m6 and m6/9 chords-- The harmonic minor scale; Arpeggios; chord forms; a Minor key Solo The diminished 7th chord: chord Forms, Arpeggios, Runs; The Diminished Scale and Runs; Modern Diminished 7th Type Arpeggios-- Basing your Solo on the given melody: Decorating or Varying a Given Melody; Jazz Treatments of a Plain Melody-- The diatonic view, tonal centers and tonal scales: Diatonic 7th chords; Roman Numeral Symbols; Diatonic Playing and Thinking; Keys or Tonal Centers; -- Special Treatment of iii7 and vi7 (Phrygian and Aeolian scales); Other Diatonic Chords; Diatonic chords of other scales; Diatonic Progressions; tonal scales; Understanding Chord Progressions; chromatic Progressions-- Altered dominant scales- Part: Typs 4 (Half- Whole Scale); Arpeggios and Choed forms; Type 5; 7#9 Arpeggios and Chord Forms; The Whole Tone Scale; Chord Forms and Arpeggios-- Parting comments-- V2: Volume II Playing through changes: Condensed Arpeggios; More on Soloing in One Position; 4 Note Arpeggio Fragments; Progressions for Soloing Over-- Chromatic tones: Lower Neighbor Tones; Upper Neighbor Tones; Chromatic Passing Tones-- Soloing over fast changes: Focusing on Higher chord Tones; Essential Notes; Sparse Playing-- Slurring and decoration-Part 2: Consecutive or Combined Pull-off; Hammer-ons and Slides; Grace Notes-- Rhythm and phrasing: Accents; Syncopation; Polyrhythm; Rhythmic Displacement; Legato and Staccato; Ghost Notes; Vibrato; Delayed Notes and Playing Behind the Beat; Syncopation Exercises-- Melodic Patterns: In Position; "Lengthwise" and Shifting Positions; Exercises-- (More) on shifting and connecting positions-- Complete Solos and developing a melody line-- The minor 7b5 sounds: a Common Scales; Arpeggios, Chord Forms and Runs-- The Melodic minor scale: Chord Forms; Arpeggios and Runs; The minor 7th scale for m6 and m6/9 chords-- The harmonic minor scale: Arppggios; chord forms; a Minor key solo-- The diminished 7th chord: chord forms, Arpeggios, Runs; The Diminished Scale and Runs; Modern Diminished 7th type Arpeggios-- Basing your solo on the given melody: Decorating or Varying a Given Melody; Jazz Treatments of a Plain Melody-- The diatonic view, tonal centers and tonal scales: diatonic 7th chords; Roman Numeral Symbols; Diatonic Playing and Thinking; Keys or Tonal Centers; Special Treatment of iii7 and vi7 (Phrygian and Aeolian Scales); Other Diatonic Chords; Diatonic Chords of Other Scales; Diatonic Progressions; Tonal Scales; Understanding Chord Progressions; Chromatic Progressions-- Altered Dominant scales- Part 2: Type 4 (Half-Whole Scale); Arpeggios and Chord Forms; Type 5; 7#9 Arpeggios and chord Forms; the Whole Tone Scale; Chord Forms and Arpeggios-- Parting comments |
| 650 | __ | ‡aJAZZ MUSIC |
| 650 | __ | ‡aJAZZ MUSICIANS |
| 850 | __ | ‡aSKRU |
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