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ชื่อเรื่องViolin secrets : 101 strategies for the advanced violinist / Jo Nardolillo
Dewey Call #787.2 Na-V 2015
ผู้แต่งNardolillo, Jo
หัวเรื่องVIOLIN--INSTRUCTION AND STUDY
ISBN9780810886247
พิมพลักษณ์Lanham, Maryland : Rowman & LIttlefield, 2015
ชื่อเรื่องViolin secrets : 101 strategies for the advanced violinist / Jo Nardolillo
Dewey Call #787.2 Na-V 2015
ผู้แต่งNardolillo, Jo
ISBN9780810886247
พิมพลักษณ์Lanham, Maryland : Rowman & LIttlefield, 2015
เนื้อหาIntonation. How to play in tune ; Octave hand frame ; Finger patterns ; Fingerboard mapping ; No fixing ; Ševčik's paradox ; Which intonation? ; Using overtones ; Using a tuner to improve intonation ; Tuning fifths ; Tuning octaves ; Frog fingers -- The left hand. Don't slap the puppy ; Maximum velocity 1 (Take it easy) ; Maximum belocity 2 (Bursts) ; The right fingerings by pattern ; The right fingerings by color ; Clear false harmonics ; Popping left-hand pizzicato ; Reaching 10ths ; Small-hand technique -- Coordinating the bow and fingers -- Shifting and playing high. Zen and the art of shifting ; The right shift ; Shifting to high positions ; Reaching the end of the fingerboard without getting hurt ; The Heifetz move ; No pressure ; Using the bow to help shifting ; The best shift may be no shift -- Vibrato strategies. Know your vibrato ; Get control of your vibrato ; Achieving continuous vibrato ; Vibrato on double stops and chords ; Vibrato tricks for the fourth finger ; Electroshock vibrato ; Shimmer vibrato ; Cello vibrato ; Vibrato sculpture -- Tone and the bow. Know your bow hold ; The bow as a lever ; Default setting ; Gravity is your friend ; The hidden enemy ; Crushing the sound ; Hitting a moving target ; Playing into the curve ; How to make your bow longer ; Pop and float ; Mastering spiccato ; Sizzling sautillé ; Flying bow strokes ; Fabulous flautando ; Tremolo ; Using the left hand to improve tone ; The law of inertia ; Don't be a slave to your bow -- Practice strategies. Now practice ; Practice concentrate ; Never pay rent again ; Divide and conquer ; Skeletons ; When slow practice isn't enough part 1 (Add-a-Note) ; When slow practice isn't enough part 2 (Looping) ; When slow practice isn't enough part 3 (Burst practice) ; When slow practice isn't enough part 4 (Rhythms) ; When slow practice isn't enough part 5 (Notching) ; Improving your technique in just fifteen minutes a day ; Using etudes to prepare repertoire ; Journaling ; Building your practice haven ; Team practice ; Your best friend, the metronome -- Artistry. Start from the music ; Learning polyphonic Bach ; It's all opera ; Playing powerful chords ; Brilliant passagework through lyrical preparation ; Shaping the phrase in fast detach́é ; The climax ; Cultivating your unique voice ; Choosing the right edition -- Performance strategies. Stage makeup ; Practice performing ; Firewalls ; Overcoming stage fright ; Connecting with the audience -- Chamber music strategies. Groups who play together stay together ; Successful rehearsals when no one is in charge ; Playing blind ; Keeping the score ; No barriers -- Orchestra strategies. Sharing a part ; Being a team player ; Concertmaster ; Preparing orchestra music ; Faking ; Building your orchestral library ; Mastering audition excerpts ; Playing the auditions game ; Bonus secret 101: Mirroring
หัวเรื่องVIOLIN--INSTRUCTION AND STUDY
ลักษณะทางกายภาพ182 p. : ill
LDR 03415nam a2200181 4500
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008 170323s2015 xxua ‡‡‡ ‡ eng d
020__‡a9780810886247‡c2120
040__‡aSongkhla Rajabhat University
08204‡a787.2‡bNa-V 2015
1001_‡aNardolillo, Jo
24510‡aViolin secrets :‡b101 strategies for the advanced violinist /‡cJo Nardolillo
260__‡aLanham, Maryland :‡bRowman & LIttlefield,‡c2015
300__‡a182 p. : ‡bill
5050_‡aIntonation. How to play in tune ; Octave hand frame ; Finger patterns ; Fingerboard mapping ; No fixing ; Ševčik's paradox ; Which intonation? ; Using overtones ; Using a tuner to improve intonation ; Tuning fifths ; Tuning octaves ; Frog fingers -- The left hand. Don't slap the puppy ; Maximum velocity 1 (Take it easy) ; Maximum belocity 2 (Bursts) ; The right fingerings by pattern ; The right fingerings by color ; Clear false harmonics ; Popping left-hand pizzicato ; Reaching 10ths ; Small-hand technique -- Coordinating the bow and fingers -- Shifting and playing high. Zen and the art of shifting ; The right shift ; Shifting to high positions ; Reaching the end of the fingerboard without getting hurt ; The Heifetz move ; No pressure ; Using the bow to help shifting ; The best shift may be no shift -- Vibrato strategies. Know your vibrato ; Get control of your vibrato ; Achieving continuous vibrato ; Vibrato on double stops and chords ; Vibrato tricks for the fourth finger ; Electroshock vibrato ; Shimmer vibrato ; Cello vibrato ; Vibrato sculpture -- Tone and the bow. Know your bow hold ; The bow as a lever ; Default setting ; Gravity is your friend ; The hidden enemy ; Crushing the sound ; Hitting a moving target ; Playing into the curve ; How to make your bow longer ; Pop and float ; Mastering spiccato ; Sizzling sautillé ; Flying bow strokes ; Fabulous flautando ; Tremolo ; Using the left hand to improve tone ; The law of inertia ; Don't be a slave to your bow -- Practice strategies. Now practice ; Practice concentrate ; Never pay rent again ; Divide and conquer ; Skeletons ; When slow practice isn't enough part 1 (Add-a-Note) ; When slow practice isn't enough part 2 (Looping) ; When slow practice isn't enough part 3 (Burst practice) ; When slow practice isn't enough part 4 (Rhythms) ; When slow practice isn't enough part 5 (Notching) ; Improving your technique in just fifteen minutes a day ; Using etudes to prepare repertoire ; Journaling ; Building your practice haven ; Team practice ; Your best friend, the metronome -- Artistry. Start from the music ; Learning polyphonic Bach ; It's all opera ; Playing powerful chords ; Brilliant passagework through lyrical preparation ; Shaping the phrase in fast detach́é ; The climax ; Cultivating your unique voice ; Choosing the right edition -- Performance strategies. Stage makeup ; Practice performing ; Firewalls ; Overcoming stage fright ; Connecting with the audience -- Chamber music strategies. Groups who play together stay together ; Successful rehearsals when no one is in charge ; Playing blind ; Keeping the score ; No barriers -- Orchestra strategies. Sharing a part ; Being a team player ; Concertmaster ; Preparing orchestra music ; Faking ; Building your orchestral library ; Mastering audition excerpts ; Playing the auditions game ; Bonus secret 101: Mirroring
650_7‡aVIOLIN‡xINSTRUCTION AND STUDY
850__‡aSKRU
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